2019 HighlightsThese routines prove that the lens language is all connected

2019 HighlightsThese routines prove that the lens language is all connected
There are definitely plays on the film stage. Among the best films, they often share some common language of exile.For example, the sunset often appears at the end of the film, which means the end of an era or the demise of love; similar to the seaside, it is often the beginning of a romance or the thinking of a vast life.For example, the ladder has a natural metaphor for human social strata, levels, and situations because of the obvious visual effect of the difference between the upper and lower levels.In the history of film, the “ladder lens” is most famous for the “Odessa ladder” filmed by Eisenstein in the “Warship Potskin” in 1925. Since then, classic ladder lenses have appeared in countless films, such as “Dawn of Love Owl, Rocky, Thirty-nine Steps, etc.In many excellent movies in 2019, the shots of “ladders” (or stairs) appeared in unison and repeatedly displayed, resulting in a strong artistic effect, thus becoming the most watched movie “Clown” in Hollywood this year, with the highest evaluationThe Korean film “Parasitic”, and the domestic “Youth” and so on.There are so many shots of stairs and steps in the “parasites”, which invade the barriers and mutual intrusion of the poor and the upper society, and they are most vividly shown, but the Dangzeji family’s nonsense in the president’s house can only escape in the rain.The film used a long series of shots walking down the stairs, as if there was no end, and the Zekis returned to the abyss again.”Clown” Jacques Phoenix’s role as a clown who can dance on the stairs has become the highlight of this year’s film industry.The dance of the clown on the ladder contained a decisive change in the psychological status of the clown. From then on, he no longer struggled with the struggle of life and the realization of value. With all his heart, he accepted his cruelty and morbidity with joy and moved towards the dark side of the evil.Several of the highlights of “You Young” happen on the stairs or stairs. The theme of the campus bullying in the film has become a symbol of class differentiation. At the school, Wei Lai pushed Chen Nian down the stairs; in the community, Wei Lai and his gangChasing Chen Nian on the stairs shows the strength of the bully and the helplessness of the weak.When Chen Nian received the help of Xiaobei, the bully also suffered violence. Wei Lai kneeled to Chen Nian on the ladder, and the accidental fall and death picture metaphorized the absolute transformation of both personality and locality.In the poem-like “Four Springs” album, the ladder is an important expression outlet, and the father steps away from his son.Young people go up and walk away slowly; old people go down and return to the life of being dependent on their partners.This is true of countless real lives. Death comes first, life always goes down, but there are still many ways to go. The best kind, like the theme of the film, has spring in mind and no regrets.The old TV drama bones are absolutely good so that no matter whether it is cold in costume or the rise of realism, TV dramas will continue to change in the audience’s aesthetic cycle. Nothing can last for a long time.However, behind the current audience’s focus on “content is king”, it is forcing the market from “only flow theory” and tending to recognize good scripts and good actors.Taking 2019 as an example, this year’s work featuring too many “drama” began to be admired by the audience, and its topic, word of mouth, did not lose to traffic fresh meat.Ni Dahong, “All Very Good” and “All Very Good”, from the perspective of independent women’s self-growth, laid out the real problems of money and affection, favoring men, and supporting the elderly one by one, triggering the social discussion of “native families”.But beyond that, the powerful actors also added too much to the play.After five years, Yao Chen returned to the small screen. In the play, she was crying for an explosive episode while looking for her father with Alzheimer’s, which was praised by the audience as this year’s acting textbook.Ni Dahong interpreted selfishness, loneliness, loneliness, and repentance Su Daqiang to three points into the wood, becoming the favorite “villain” role of the audience in 2019.Even with the role to win Magnolia in one fell swoop, the drama that starred in it also began to “get a ticket hard”.”Icebreaker” Wang Jinsong’s “It’s All Good” is not the only work this year that has been popular with good actors.”Ice Breaking Action” was delighted by audiences with performances by Wu Gang, Wang Jinsong, Ren Dahua, etc. Among them, Cai Yongqiang’s Tang Xu, Ma Yunbo’s Zhang Xilin and other powerful actors also returned to the public.”Twelve Hours of Chang’an” Lei Jiayin In “Twelve Hours of Chang’an” Lei Jiayin has a tough man acting different from the previous “Little Man” role, perfectly interpreting the civilian hero Zhang Xiaojing.For this role, Lei Jiayin stayed in the group for thousands of months and fought with Wuxing’s brothers every day, only to “mix” a martial arts habit.Chen Daoming in “Qing Yu Nian” and the recent popularity of “Qing Yu Nian” are inseparable from Chen Daoming, Wu Gang, Li Jianyi and more than a dozen national actors.In addition, acting variety shows have sprung up like mushrooms.”I am the pinnacle of actors”, “actors are in place”, “acting school” from the acting skills, director casting, actor studio survival and other different dimensions, for some young actors, or superb acting but forgotten by the marketThe actor provides a platform for display.Here, the audience and crew are no longer “traffic supreme”, personal ability is judged only by acting.Among them, Niu Junfeng, Zhou Qi, Zhang Zhehan and other actors began to be noticed by the audience, and have the business ability to obtain shortcuts to cooperate with directors such as Chen Kaige and Li Shaohong.And all the changes in the market must prove that Xu Zheng’s prophecy in 2018 has been fulfilled: “The spring of good actors is here.”Written by / He Yan Zhang He proofreading Zhao Lin